Yes, a BIG Improvisation World tour Logo.  Doesn't it make you want to sing a song? Nothing much here.  Be creative today and come up with another use for this empty spot  Improvisation World tour - the words just ring in your ears like a  ringing thing that rings... in your ears This space for rent.  Maybe for a small family from Borneo or an Orangutan.  Hey YOU in Borneo stop destroying the forests and hurting those innocent Orangutans.  What did they ever do to you?
Mime mask movement impro and improvisation of course and contact improvisation which is a little different.  Ever done any scenography?  Have you managed to read down theis far before the words dissapeared?  Maybe you need a speed reading course?  Orrrr how about a narrative story telling creativity spontanaiety jam session?  
WHAT IS IT?

 

 Shawn Kinley is traveling the world with a variety of workshops aimed at improvisers and those who use improvisation in their work.  Also a way of bringing the impro community in the world a little closer together. (check out the GROUP pages to read about the various improvisation groups on the planet.)

WHAT HAPPENS?

There are many possibilities for your group to choose from but what  happens most of the time depends on the group itself.  Successful workshops are the ones that address the needs of the people in the class.  What are your needs?

Some popular topics in the WORLD TOUR series of workshops include :

- Impro Update - Deepening your skills and addressing your specific issues. Special focus on NARRATIVE Impro.

- Mime and Physical work - did you know that there are TWO simple techniques that can make your stage work almost magical? It's true!

 - MASK -  Making and/or performing.  Great for variation in character work and a useful skill for any improviser.

- Virtual Theatre - EXPERIENCE the thrill of flight, the danger of a dinosaur, and more.  Not just acting.  You feel it.

  - Contact Improvisation - Move without a plan but look like you've rehearsed for weeks.  Great for group dynamics as well.

- Improvisation and Directing - Many impro formats rely on directing but few improvisers feel competent or do it effectively.

 - SCENOGRAPHY - Never heard of Scenography?  More than just furniture moving.  Good scenography creates a whole new dimension to the show

- For more,  Contact Shawn

HOW LONG?  
As long as Two Weeks or as short as 3 hours.  The average group works for two days.  Some groups prefer evening workshops.  Some groups sleep in.
Some groups end with a show and some  do a show before the workshop... and work on the problems they had in the show.
Hey!  What's that mouse of yours doing over here?  Have you lost control of your hand?  Should I call someone for you?  Are you having a stroke or something?  Just let me know... unless maybe you turned into a zombie and are looking for living flesh to chew on, then uh... I'm busy for the next while... uh doing my... here.... ZOMBIE BOY!!!
nothing down here except all the wisdom in the universe - oooops I wasn't supposed to say that.  Go about you business, I will tell you nothing more...  (hint - think about the Ouroboros ) Welcome home to the  Improvisation World tour page of entry HEY - You kids !  What's all that nosie upstairs?  --- An Impro / Improv tour you say?  Well count me in onthat puppy.  When I was your age I would improvise 10 kilometres in the driving snow just to get to school.
What do you want to know about improvising?  Blocking wimping Shelving?  How about a little movement mime or monkeys?  Did I say Monkeys?
Me me me me - Ohhhh let's talk about me for a moment.
Press here for Press.  Global press and local and more buttons to press.
Ohhh mystery mystery... who love a mystery.  You DO that's who!!  I do you do we all do... enjoy the mysteries... dive into them.  Step forward.
All the happy improvisers who have had workshops from Shawn Kinley.  Well not all... but lots.
Get involved.  Do something.  Participate  - It's a better way to live.
Don't look here.  Nothing at all here.  Ohhhh No.  You'd be wasting your time sticking that mouse of your where it doesn't belong... don't put it there... take the mouse out of there. Ohhhhh.... poor mouse.
Propellor - contact  - Engine - contact - improvise - contact... we are ready for take off
the Ouroboros - Do you know what the Ouroboros is?  In Improvisation it might refer to re-incorporation... bring it all back, return to the beginnings, a mystical magical symbol
Hey... did someone rip this without telling me... Awwww come on!
WHY A WORLD TOUR?

...because a tour of the universe seemed excessive.  Seriously? Here are some reasons:
REASON 1 - Because there are SOOOO Many instructors out in the world now who learned the
Upsy daisy, here we go on a magic carpet ride weeeeeee ya hoo essence of improvising in 1 or 2 classes  and feel like they should be teaching now.  And, to be honest, some of these people are doing a bad job.  In some cities these people flood the market with poorly trained improvisers doing poor shows leaving the audience with a bad taste for improvisation.  My philosophy is - Have many many teachers.  You will discover which ones work for you and your group.  If your teacher just focuses on the latest fad or a new game because "it's funny", try another teacher. (what will you do on stage when the 'funny' game isn't funny anymore?)  There are many good teachers out there. They should look at what you REALLY NEED to combat the problems you are struggling with to improvise well.

REASON 2-  Every year between 12 and 20 Improvisers and Educators come to the LOOSE MOOSE theatre from all over the world for the Improvisation Intensive which lasts 10 days.   The group experience is energizing and many  leave with the hopes of implementing some of the ideas with their own groups.  Most have a difficult time for one reason or another so I started a "mini - summer school" which traveled to them offering some of the same experiences in their theatre.

REASON 3- Because I love the work.  Improvisation is an amazing activity / behaviour.  It comes in many forms and connects to us on many levels.  In the past few years we've seen it as a focus in psychology and business  as well as stage work.  Each group pushes the edges of improvisation in their own way (whether they know it or not).  I hope to 'seed' and share their work with each of the groups I meet and see where the connections can be made between groups and ideas. 

REASON 3- I get asked to do a workshop one day in London and the next day there's a workshop in the United States.  It's not very efficient.  I thought it would be easier to meet groups and lower costs to organize things a bit better.Upsy daisy, here we go on a magic carpet ride weeeeeee ya hoo

WHY ARE THERE 2 "REASON 3"s?

Oh you noticed that.  In the last section there are 2 "Reason 3's"  It was a mistake really but it reminded me of an important lesson. In an improvised improvised scene some people try to go back and correct what they see as " mistakes".  Sure there are some "mistakes" you should correct but don't get too rigid.  Use the mistake when you can.  It's like a gift from the Impro Gods.  When you can make sense of "the mistake" the audience sees real improvising.  Experienced improvisers do this often to great effect.  

WHAT ARE THE COSTS?

The emotional ones or financial?  Lets start with the monetary. 

The Teaching fee depends on where you are but the general range is $100 U.S. an hour or 90 EUROS or 700 Norwegian Kronar or 12,000 Japanese Yen or 4000 Thai Baht or 220,000 Venezuelan Bolivar and three chickens and a goat. (sorry I cannot accept anything larger than goat).

BUT- In some instances I may agree to cost sharing plan that will enable groups to have longer workshops and achieve more in the sessions (and allow some people to attend who might not otherwise be able to afford to).  Please remember that it is expensive to fly everywhere and do this so please keep special financial considerations for groups who are most in need.  I've even done workshops with some groups who pay what they can afford AFTER the workshop.  A big risk but in the end, they got more than they originally expected and I got more than I would have asked AND a few people gave me cheese and books...  That's what they could afford.

If I have to fly, boat, Yak and camel to you and there is only one group in your area, then it makes the cost slightly higher but I will try to do what I can.  Contact me and if I am in your area, we will try to arrange something.  Generally I try to get the groups in an area to split the cost of traveling and accommodation and if there are many groups in one location I try to partly cover the travel cost myself. Please contact Shawn for specific info...

Also - we need a space to work that is not flooded, dangerous, too small for the group, infested with Brazilian Bat Monkeys or possessed.   Unless that's the only place to work.

WHAT IF WE AREN'T IMPROVISERS?

The Impro Tour is connecting with Business groups, Theatre Groups, A group of psychologists, Radio advertisers, The Norwegian Opera, Schools, Dancers, Managers and many other groups.  Some of the groups have only heard of the "benefits of Improvisation".  So whoever you are, there's something relevant for you.Upsy daisy, here we go on a magic carpet ride weeeeeee ya hoo

WE ALREADY KNOW HOW TO IMPROVISE


That wasn't  a question.

WE ALREADY KNOW HOW TO IMPROVISE?


You just added a question mark to the end of the statement.  

WHAT IF WE ALREADY KNOW HOW TO IMPROVISE?


There's always more to improve on.  One of my favourite teaching moments was visiting a group of Improvisers from Finland and not only had all of them been improvising for YEARS but their Impro group ( STELLA POLARIS ) has been together for more than 10 years.  They didn't want a new fancy format or games.  They wanted to go over the basics.  They were great to work with and took the information to a higher level.  Same experience in Norway with a Senior Improviser who couldn't attend the "advanced" impro class so he joined the "beginners".  He was constantly taking notes and benefited from the experience. 

WHAT ABOUT NEW GAMES AND FORMATS?


Did you read the last question?

WHAT ABOUT NEW GAMES AND FORMATS?


Who is this?  Why are you even--- Ohhhh  Alright!! There will be things you have never done before.  If you are interested in a variety of formats I would be happy to include that in sessions too.  Remember though that it's not JUST about the games.  Most of the good games weren't created just to entertain.  They were created to deal with specific problems have.  The side effect is that they are also entertaining.  If Improvisers focus only on games to be funny then they miss the real point.

BUT WE HAVE OUR OWN STYLE


Of course.  I've worked with groups from "League Improvisation" and "Comedy Sportz" and "Playback" and Keith Johnstone style and Second City and Mick Napier influenced... on and on.  Everyone has their own style but there are universal skills that work in all areas. 

CAN I HAVE A COOKIE?


Yes you may have a cookie but don't blame me if it spoils your appetite for supper.  Ohhhh your mom will be sooo mad.

Was there something we missed?  Drop us a note and we will get right back to you and include your question on the next update.  Thanks for helping make this page helpful...

 

Hey on the way home could you pick up a container of milk and some batteries for the - Hey is this someone else reading this message?  This is private...

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THE  QUESTIONSWhat the? Who are you looking for? Where did you get those funky pants? Why am I here? Can I go now?

 

What is it?

What happens?

Workshop Length?

Why a world tour?

Costs?

Not Improvisers?

Professionals.

New Games/formats