Lovely Latin America…

August24

The tour is coming together for Latin America.

Is it Latin America or South America?  Is there a difference?  And why do I feel bad saying one and not the other?  (Did you ever have a guilty feeling about inanimate objects and concepts when you don’t use them equally?  Hmmm… that’s insane.  )

Where was I?

Shawn will be teaching improvisation in Latin America

Shawn Kinley will be teaching improvisers and performing in Lovely Latin America

Oh yes.  I was booking tickets to:

Colombia
Peru
Chile
Argentina
Brazil…

Check out my schedule at SHAWNKINLEY.COM -

One thing I like about Latin/South America are the people.  When I was first in Chile (and by no means was I the first to be in Chile.  Oh no…  Others have been there before me.  Many others.  So many in fact that I feel almost embarassed to be going on about this.  Almost.)

When I was first in Chile, I remember meeting people who gave me that look of “HEY, OLD FRIEND – It’s been such a long time since we’ve seen each other.  I’m so glad you’re here now.”  (Yes, there is a look for that).   I was certain that these people knew me and I had somehow forgotten their names.  But of course we had never met.  They are just so warm.  All that Chilean sunshine oozing from them.

But then… you try to kiss them and they run away.

It’s a lovely culture and I am looking forward to seeing some old friends and improvising with some new ones.

No Habla Espanol Senor!

Keep it short.

July17

I thought I would practice brevity in writing.

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EINSTELLUNG!!! (what?!?!?!)

April26

Einstellung!  Wasn’t he that smart guy with that crazy hair???

Nope.

The Einstellung Effect is the state of mind where your previous knowledge gets in the way of your ability to adapt, learn and think in the moment.  It’s a great thing to keep in mind because it affects us all and it always affects us.

SO…  Einstellung is a German word.  In English it translates simply as ‘attitude’.  The Einstellung Effect means a little more.  It explains our tendancy to hold onto ideas we’ve learned and lose the ability to see things outside of the original context.

See the picture below?  In Italy they have these crazy Christmas Cakes in a box.  Mmmm tasty. We learn that the box is for the cake.  We see the box and know how to use it.  We put a cake in it.

Imagine one day while it’s raining, you are looking around the house for an umbrella and can’t find one.  A child might see  the box and put it on his head for protection whereas the adult with the knowledge of “Umbrellas” and “Cake Boxes” would not see the applicability of the box to have any use.

a box or a hat
Tania from the Bugiardini in Rome shows that a cake box is not just a cake box!

The good side of it this effect is that it makes us fairly speedy in our ability to solve problems.  You learn a game, you get some tactics, you beat the pants off your friends every time you play.  YA-HOOO! You are brilliant.

The down side of learning this great new technique and branding it in your mind as a rule is that it gets in the way of better things.  The idea of brain plasticity and the flexibility of the mind is defeated by hard rules.  As you apply the lesson in that game over and over again and start to lose, you get stuck  with your once succesful information that no longer works.

EVGENY MOROZOV, author of The Net Delusion writes

We constantly experience it (Einstellung Effect) when trying to solve a problem by pursuing solutions that have worked for us in the past – instead of evaluating and addressing it on its own terms. Thus, while we may eventually solve the problem, we may also be wasting an opportunity to so in a more rapid, effective, and resourceful manner.

This past couple of months I hit a few walls with the 6 or 7 German improvisation groups I ran across In many situations the question, “How do I play this?”  Or “What are the rules?” popped into conversations.

Let’s be clear about something; this is a human condition and not just the behaviour of those smiling faced, efficiency minded, rule abiding Germans.  We humans create safety by knowing what to do in given circumstances.  We are taught this to a fault in school.  If we can follow the rules and apply the lessons, we excel in the institutions of society.  BUT reflect on how often we hear about the rule breakers, those who behave contrary to practiced behaviour and succeed beyond expectation.

I think it frustrates many participants in workshops to hear that they are not being given something that works all the time.  The ideas they are learning don’t apply in all circumstances but might apply at the right time.  And when is the right time?  Well the right time is when the tool will work.  The wrong time is when it will damage the story or inhibit the particular success you are looking for. Practice playing with your tool (giggle giggle… immature laughter) and you will find when it’s best to use.

Example:  In an Improvisation course, you are told not to start with negative comments at the beginning of scenes.  So you learn to be Mr. Positive.  Everything is daisies and daffodils.  The first few times you use this new tool you experience something you haven’t before.  It feels good.  Your partner seems happy and the audiences like the outcomes of the scene.  You have the secret of great improvisation!!! YA-HOOOOO!  You use it all the time.  You teach these ideas as gospel!  You write a book and gain followers and the cult of smiles grows…

Then… your shows start feeling predictable.  Other improvisers rebel, they say “there must be a better way”.  They start begin a few scenes being cruel or mean and to everyone’s surprise, they  create a memorable piece of improvisation.

You say THEY are wrong but you can’t deny that something in their work sparkles where yours is now a little grey.

What’s changed?  Nothing.  The rule was only meant as a “rule for now”.

You would have been well advised to look at your show as a big picture.  Maybe recognize that there have been too many Unicorns and Butterflies and happy monkeys to start your scenes and you needed a wart faced little troll swearing and kicking the innocent children to start a scene.  That would be fun once and a while.

The Einstellung Effect means that your brain will harden with rules.  Your flexibility will vanish and life will be a big bore. The lessons you learn might still work but they will seem over used and you will become predictable.

Understand what you learn might hold you back.  Be willing to see that all rules have a weakness along with the benefits.  Be willing to break a rule occasionally in aid of better work.  BUT… be aware of why that rule worked in the first place.  If you go around saying I am breaking rules because that is GOOD improvisation… then you have made a rule of working against the Einstellung Effect and your brain will explode just trying to think about that paradoxical little mind f***.

Think for yourself.  (but don’t listen to me…. )

Sounds like a Plan to me!

April13

Some people believe you should walk on stage with absolutely nothing.  I disagree.

Some people say you should plan nothing.  That’s impossible.  If I learn to juggle and then I happen to be in a scene, I’ll use that skill right?  We can agree that is not “wrong”.  And we are built with bias, prejudice and ignorance right… I bring those on stage and they become part of the work.  WHY would I not consciously incorporate, wisdom, knowledge and inspiration on stage?

Shawn and kayla in a scene... DANGEROUS

This idea that having a thought before you open your mouth to speak is somehow cheating as an improviser is absurd.  IF you planned all your work and stuck to all your ideas then maybe you would have swung too far to one side in what is healthy for an improviser.  But don’t confuse thoughts and ideas as wrong improvising.

In some formats for example (Micetro or Gorilla) it’s beneficial to walk into the work with inspiration.  I like the idea of knowing my partner and bringing some of their story into the work.

Sandy was feeling uninspired about life and not sure of her direction.  She was torn between making lots of money in a boring job or struggling with an artistic path.  She was a talented girl and my vote was the happy struggle towards passion… Soooo.. near the beginning of the scene where I was a street person and she was an uninspired business person, the theme of her life came out and the story that I had thought about before started to play out.

It was fantastic.  At one point I had a five dollar bill (I think it was a fake, but it looked real).  I started teasing her about how much the money meant to her and how little it meant to me because there was nothing to spend it on.  I had friends, food came from toss away restaurants and I lived in a warm place under a bridge with other homeless friends.
It got to the point where I ripped the money in two.  The audience let out a loud and distinct gasp.  It was one of those moments that you remember for a long time because of how unified the audience was.  Together they had an emotion that was not laughter in an improvised show.  And it was easy to use their experience to continue the scene’s theme about the importance and worth we put on this piece of paper.

The plan was worth it and the experience was memorable.  It was not 100% planned nor unplanned.  But WHY NOT?  If I scripted the piece and rehearsed it, I could see the problem.

Show with Improvenoes – Baden Switzerland

April12

Bet you didn’t know there was a BADEN.  Unless you’re Swiss.  Most people think of Baden Baden.  I think the people there thought it would make them ttwice as good to have the name twice…  No… I don’t think that.

That’s insane.

3 Swissies and 1 Canuck were on stage on April 8 in a little Swiss bar turned into a little Swiss theatre.  Probably 100 Happy Swiss folk came to see us on a lovely spring night.  Only 6 reservations to start and then they came in like air through the holes in Swiss cheese.

Something interesting happens when people feel pressure.  They lose their abilities – piece by piece.  Maybe it was me that put pressure on the gang or maybe it was the staring eyes of the foreieign audience.  No, wait, that can’t be it.  I was the foreigner.  It was my fault.

Michele set up a “speed dating” game.  Character’s were given a short time to meet each other, afterwhich  they would be tagged out and two other characters would get to know each other.  It went through about 8 rounds of pairs.  EVERY ONE was NEGATIVE NEGATIVE NEGATIVE…

“I hate this place”

“You look like an idiot…”

I finally gave a very direct onstage note.  I sat down with Andy and in character said, “I’ve been to these speed dating things so many times in the past and it amazes how NEGATIVE everyone is.  It seems like the place where you would want to be a pleasant person”.  The audience laughed because they knew what was going on.  I heard Michele in the back making a sound like she recognized what I was doing and recognized they had been negative.

So those two characters went to a positive state.  The audience liked them BUT someone tagged Andy out and the audience went “ohhhhh” because they wanted to see more.  The next character  started going weird and negative so I stood up and said, I think there’s someone over here I would rather be with.  And that’s how it ended.  And the audience laughed because that’s where they would have gone too.

On stage notes are interesting.  Probably should only be used as a last resort to clarify and find connection I think.  But sometimes… they are so necessary.

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